Unpublished Writings

1979–Dissertation (Harvard), ‘The Compositional History of Verdi’s Falstaff’

1981–Ten Suggestions for Scholarly Writing

1982–JH Notes on Mallarme

1983–John Cage and the Aesthetic on Non-Intention

1986–The Disposizione Scenica for Verdi’s Otello, A Critical Study–English original (book published only in Italian)

1989–Six Thoughts on Professional Writing in Musicology

1990–Initial Remarks, University of Minnesota Carl Dahlhaus Graduate Seminar

1990–Preface to ‘Structural Tensions’ (Central Categories of ‘Modernity’)

1991 (rev. 2006, 2009) Popular Song–Propositions (Draft)

1991–The Technique of Content Analysis (Univ. of Minnesota)

1993–‘The New Music History’–Draft Plan for an Unrealized Book

1993-95–The Concept of the Modern, 1885-1914 (DRAFT, UNPUBLISHED)

1994–Verdi, Ternary-Form Arias, Vepres Siciliennes

1994-95–Musicology and Genre–Reflections on Two Texts and a Counter-Text (DRAFT, UNPUBLISHED)

1996-97–Verdi Revisits the Past–Two Versions of ‘Je l’ai vue’ (Don Carlos)

1998–Analyzing Professional Writing on Music

1998–Issues of ‘Meaning’ in Music

1998, rev 2000, 2002–Notes on ‘Postmodernism’

2008–Email Reply to Richard Taruskin–On Musicology & Disenchantment

2020 (rev. from 2006, 2008)–The Classification of Theme Types–Period, Sentence, Hybrid