Published Articles and Chapters

 

1980–Verdi, Giuseppina Pasqua, and the Composition of Falstaff (NCM)

1982–Review of Budden, The Operas of Verdi, vol. III (JAMS)

1984–Formulaic Openings in Debussy (NCM)

1985–Simon Boccanegra 1881 Score (ENO Guide)

1985–Under the Eye of the Verdian Bear (Notes on Reherasals and Premiere of Falstaff) (MQ)

1986–Review of Rosen & Porter, ed., Verdi’s Macbeth, a Sourcebook (JAMS)

1988– ‘Music History’ as a Set of Problems’ (Undergraduate Teaching) (CMS)

1988–Boito and F.-V. Hugo’s Magnificent Translation

1988–Review of Gossett on Donizetti’s Anna Bolena (NCM)

1989– Genre and Content in Mid-Century Verdi, Traviata, ‘Addio del passato’ (COJ)

1990–Falstaff as ‘Modern’ Opera (L.A. Opera)

1990–Verdi’s Don Carlo as Constellation of Possibilities (L.A. Opera)

1991–The Dahlhaus Project and Its Extra-Musicological Sources (NCM)

1992–CD Liner Essay, DGG (La Traviata, Levine)

1992–Overriding the Autograph Score–Textural Authority in Verdi’s Falstaff (SV)

1992–Structure & Program in Strauss’s Macbeth

1992–Fiery-Pulsed Libertine or Domestic Hero–Strauss ‘s Don Juan

1993–‘Culture Clash’ (Dvorak, Hiawatha Program for the ‘New World’ Symphony, MT)

1994–‘Masculine-Feminine’ (On Thematic Gendering in Sonata Expositions, MT)

1994–Review of Budden, Operas of Verdi (revised ed.) (OQ)

1994–‘Temps perdus’ (Paradoxes in Ives’s Musical Style) MT

1996–JH Translation & Editing of Kilpelainen on Sibelius’s Seventh Symphony

1996–The Essence of Sibelius (Luonnotar, Creation Myths, Rotations)

1997–‘Elgar’–in 19th-C-Symphony Anthology

1997–‘Sibelius’–in 19th-C-Symphony Anthology

1997–Ottocento Opera as Cultural Drama—-Trovatore

1997–Medial Caesura, 18th-C Exposition (MTS)

1998–Structural Tensions, Sibelius’s Fifth Symphony

1998–Review of Werbeck, Die Tondichtungen von Richard Strauss (JAMS)

2001–Staging Verdi’s Operas–The Single Correct Performance 

2001–Musica, dramma, e dramma lirico (La Scala Booklet, Italian)

2001–Rotations, Sketches, and [Sibelius’s] Sixth Symphony

2002–Back and Forth from Egmont (NCM)

2002–Beyond the Sonata Principle (JAMS)

2002–Beethoven Reception–The Symphonic Tradition

2003–Reply to David Levin on Staging (Verdi 2001)

2004–Finlandia Awakens

2004–Structure, Implication, & Suor Angelica

2006–Framing Till Eulenspiegel

2007–Elgar’s Introduction and Allegro

2008–Un Bel Di…Vedremo!

2009–JH on JH –Introduction to Ashgate–Music, Structure, Thought

2010–Clouds & Circles–Debussy’s Nuages

2010–Strauss, Second Cycle of Tone Poems

2011–Modes of National Identity–Sibelius Builds a First Symphony

2012–Monumentality, Formal Processes, Brahms Piano Cto. No. 1

2012–On Vladimir Jankelevitch’s Philosophy of Music (JAMS Colloquy)

2013–Communication to JAMS, Reply to Gossett

2013–Dahlhaus’s Beethoven-Rossini Stildualismus–Lingering Legacies

2014 Program Music (Aesthetics of Music)

2016–From ‘Young Bears’ to ‘Three-Letter Words’ [on Cole Porter’s song, “Anything Goes”]

2016–Sonata Theory, Secondary Themes . . . Dialogues with Form-Functional Theory

2022–Chopin–Nocturnes, Structure